I've been sat thinking about this review for about a week and what I can say to say about this simply extraordinary piece of art.... ATGCLVSSCAP by Ulver is an album unlike any I've heard.


The band undertook a series of concerts to just improvise songs and then took the recorded results back to the studio to be manipulated which has led to some fascinating music.


The opening 'song' of England's Hidden is all church bells and drones but the album is impossible to describe as a whole and it's easier to just list the draw dropping moments

• Halfway through second track Glammer Hammer where the band just drop in a shuddering heavy riff that almost stops the song dead in its tracks
• On Cromagnosis where the tempo changes up from a krautrock groove to a more propulsive  and percussive Hawkwind sound
• Where after 9 tracks of shifting instrumental drones and soundscapes you suddenly get an actual song - vocals, verse, chorus everything !! Nowhere (Sweet Sixteen) sounds like something from the North of England around the early eighties. Think long grey coats, Echo & the Bunnymen and you get the idea
• The point in Ecclesiastes (A Vernal Catnap) where it stops sounding like a monk reciting the latin mass and becomes a keening ballad about loss

Ulver have got to be considered one of the most progressive bands around from their black metal roots, to symphonic orchestral pieces via covers of sixties psychedelica but this is a crowning achievement.


Even though it's only January any band is going to struggle to match this let alone beat it (sorry, Marillion) and this may actually be the best album I've reviewed since I started this blog in 2012